Rogue One: A Star Wars Story, as well as the new Star Wars
films in general, may be redefining the creation of trailers in Hollywood and
America. The trailers are so well made that they regularly attain millions of
views in the first few days, if not hours. In fact, the first Rogue One trailer
had an astounding 30 million views on YouTube in a just three days. The Rogue
One Trailer is revolutionizing how trailers are made, the narrative arc within the
trailer, and what is revealed and what is not revealed. The impeccable use of
these elements is masterfully done. The trailers also use editing of certain
shots and the use of sound to create a certain tone and depth to the brief two
minutes.
The most important aspect in a trailer in my opinion is the use of the sound. Sound is responsible for at least 90% of the immersion of an audience in a film. Many of the iconic trailers that date back to the 1970s relied heavily on sound to create tone and mood. This heightens and sets expectations for the film being displayed in the trailer. When I think of an incredible use of sound, I am reminded of the teaser trailer for Alien with the memorable tagline: “In space, no one can hear you scream.” The Rogue One teaser trailer uses subtle chords and bass to establish a sense of urgency in the first few seconds of the trailer. Then, we hear the iconic Death Star warning siren pound over the screen and images. Additionally, the speech by Forest Whitaker leaves the viewer in awe. Finally, the beautiful subtle use of Vader’s breathing as Whitaker finishes his speech and we are left with the shot of Felicity Jones, clad in imperial armor, looking over her shoulder.
This beautiful use of sound and editing combine to create an incredible first teaser trailer for the film. We also see the mysterious antagonist in a beautiful shot of him walking across the water towards wreckage. The next trailer is where they take the marketing campaign for Rogue One to a new level of trailer art.
The second trailer immediately establishes one of the plot
points of the film which is that they are searching for the plans to the Death
Star. Characters are methodically introduced, as well as their possible motives
for joining Jyn in her mission to seize the Death Star plans. And, of course,
Vader is revealed in the final shot of the trailer. This trailer sets a tone of
adventure, growth, and urgency for the film. Stunning shots of action
sequences, character exposition, and a beautiful rendition of the classic Star
Wars Force theme subjects the viewer to a new take on the Star Wars universe.
Disney and Star Wars have also released collaborative shorts
that detail the production and work that goes on during set hours. These ‘celebration
reels’ allow avid fans an inside look to the perspective of Director and Actors
involved in the film as well as all those working on set. The creation behind
shots and elements of the story are fascinating in themselves and really allow
the person viewing the video to gain a newfound respect for the art of
filmmaking, particularly in these Star Wars films. Even those who are not fans
of the saga can appreciate the effort and work that is put into the film. Simply,
it is brilliant marketing for the film.
Now, these are all wonderful points to why the marketing and
trailers for the new Star Wars films by Disney are changing the industry but
how? Really, it is because in these trailers the viewer knows a basic plot
structure which creates intrigue and mystery. Nothing major is revealed, as
compared to other common film trailers in the industry. They don’t need to
reveal major plot points in these trailers because they are so incredibly well
done. That isn’t to say that those other trailers are poorly made, but rather
the argument to be made is that the new Star Wars trailers are creating more
intrigue and positive anxiety for the franchise than any other comparable
franchise in the industry. Last year, during the theatrical debut of the Force
Awakens Trailer on Monday Night Football, tickets for the film sold out in
minutes and crashed the Fandango servers. This is even more revealing of the trailers
considering Fandango anticipated the number of buyers and upgraded all their
servers in preparation for the load. Yet they still crashed within minutes of
the trailer debut. This was done by the incredible trailer and I make the bold
statement that it will happen again this Fall with Rogue One. The trailers also
continue to set view records and create an atmosphere of hope and positivity
throughout the fan base, both old and new to the franchise. Ultimately, the use
of sound, the editing, the marketing during peak times is brilliant and
changing how other franchises choose to market their films. I’m in. All the way.
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